THOMAS HENGELBROCK: Beethoven & Cherubini
"I am delighted whenever I hear a new work of yours and take a greater interest in it than in my own. In short, I honor and love you," wrote Ludwig van [...]
"I am delighted whenever I hear a new work of yours and take a greater interest in it than in my own. In short, I honor and love you," wrote Ludwig van [...]
photo credit @ICKHEO Master craftsmanship on stage? It sounds strange and fascinating at the same time: while a ceramist and a knot artist perform their work on stage, in the background [...]
The Theater of Imagination shifts the performance into the minds of the audience: the description of the events is projected onto a screen. The imagined stage action - famous, real productions [...]
Tatiana Chizhikova uses solid and condensed choreographic forms for her works, while their emotional content is rather complex and highly charged. In her new solo performance, she works with a simple [...]
A broad spectrum of musical deconstructions of classical formal models can be heard in this duo recital: Stravinsky's Divertissement (1934) is based on the music to his ballet Le Baiser de la fée, which in turn is inspired by Tchaikovsky's [...]
This is a performance with two dance pieces that wander around in a non-staged environment. The two choreographers and dancers, Tatyana Chizhikova and Yulia Arsen, detach their creations from their original stage versions [...].
This is a performance with two dance pieces that wander around in a non-staged environment. The two choreographers and dancers, Tatyana Chizhikova and Yulia Arsen, detach their creations from their original stage versions [...].
Huge shadows lie over the many scenes of new music in the territory of the former Soviet Union, which is currently once again the scene of violent geopolitical conflicts. The lively exchange between leading composers and performers [...]
Boris Filanovsky's "Ob aus Luft" is a musical meditation on loss, inspired by Maria Stepanova's celebrated cycle of poems. With a perfect blend of silence and fervor, static and expression, [...]
There is no correct or incorrect way to remember. But we are constantly being disciplined into particular ways of recollecting: by memory politics, media discourse, our families, our surroundings, our [...]