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VOICES Festival: THE WHIP / FRACTIONAL STEP
October 14, 2023 @ 17:00 - 18:30
This is a performance with two dance pieces that wander in a non-staged environment. The two choreographers and dancers, Tatyana Chizhikova and Yulia Arsen, detach their creations from their original stage versions, relying on solid choreographic structure, resonant imagery and emotional density to create a shared experience for the viewer. Together they create a charged space, a landscape of shared reflection.
Yulia Arsen begins the performance with The Whip. In the context of the white gallery we feel the gravity of an object even more. She takes its complicated symbolic meaning as a background. Fear, disgust, power relations - everything is there. And yet, through her "partnership" with this concrete piece of material world, and through subtle explorations of movement, she ultimately develops her own embodied knowledge of fragility, fluidity, and agency learned from a whip. There is a strong sense of revolt in this subversion of symbolic narrative and recognition of something that is simply at hand. The cracking of the whip is not actually a striking sound.
In Fractional Step, classically trained accordionist Roman Malyavkin and dancer Tatyana Chizhikova deconstruct Russian stage folk dance and, in particular, its steady percussive step. They engage with charged and ambivalent sensations of bravura and despair, their virtuosity colliding with pauses of hesitation. Over the decades, this language of movement has been constructed in Soviet Russia as the most "natural" public bodily expression - as if these postures and gestures were inherited in people's bodies. In fact, they have as much in common with authentic folk dances as they do with the ballet schools where they were taught. What do these clicking steps say today, and how does it feel to perform them? Both choreographers belong to the younger generation of artists from Russia, which is currently undergoing change in every respect. In their works, they enter disturbingly solid narratives and question them, subvert them, and complicate them through embodied practice. This is what dance can do.