A broad spectrum of musical deconstructions of classical formal models can be heard in this duo recital: Stravinsky's Divertissement (1934) is based on the music to his ballet Le Baiser de la fée, which in turn was inspired by Tchaikovsky's great ballet music. In Wie der alte Leiermann... (1997), composer Leonid Desyatnikov, who was born in Kharkiv and lives in Israel, dissects the last song from Schubert's Winterreise, which disintegrates into fragile and vanishing fragments. The violin sonata Post Scriptum was written in 1990 by the Ukrainian composer Valentin Silvestrov in the spirit of his philosophy of metamusic, which regards the entire musical tradition as a field of creative identification and interpretation. Finally, the second violin sonata Quasi una sonata by Alfred Schnittke (1968) marks the composer's transition to postmodernism and can be heard as a sequence of fragments which, despite their departure from traditional form, convey dramaturgical rigor through their structural logic.