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Rethinking Beethoven X

  /  Rethinking Beethoven X
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Berlin Philharmonie, Chamber Music Hall
Mon, 27 Apr 20:00
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Rethinking Beethoven X

“Rethinking Beethoven X” was the working title of Jens Joneleit’s new composition, which revives Beethoven’s sketches for his 10th Symphony. It will be premiered by Beethoven expert Jan Caeyers and his orchestra Le Concert Olympique in Berlin.

This new piece is juxtaposed with Schubert’s 8th Symphony – probably the best-known example of an unfinished work. The program is concluded by Beethoven’s 6th Symphony “Pastoral”, which has many musical and content-related parallels to Schubert’s “Unfinished”, such as orchestral colors, meter, tempi, and an idyllic, nostalgic mood.

Only a few days before his death, Beethoven restated his firm intention to complete the 10th Symphony in a letter to London. Joneleit’s guiding idea for the piece is Beethoven’s journey in the flesh into the future – our world today. Joneleit’s exploration of Beethoven’s collected experiences and final sketches promise a deep meaning within his own work: “Just as this journey would mean a new beginning for Beethoven, the encounter with him also means a new beginning for me, in that I want to allow myself to compose along with Beethoven – and not against him. So it is not about a historical reconstruction of Beethoven’s work, but about a contemporary realization of Beethoven’s intentions – a creative musical dialogue with Beethoven, from which something new emerges.

The concert on April 27 will be the highlight of celebrations that mark the 10th anniversary of Le Concert Olympique, which gathers leading musicians from all over Europe to perform Beethoven together. Jan Caeyers and his orchestra have been guesting successfully in Berlin for years.

Jan Caeyers

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Jan Caeyers is a Belgian conductor and musicologist. He lived, studied and worked in Vienna for many years. From 1993 to 1997, he was assistant to Claudio Abbado at the Gustav Mahler Jugendorchester. During this time, he also worked closely with Bernard Haitink and Pierre Boulez.  Until 2003, Caeyers was director of the Beethoven Academy, a period instrument orchestra with which he was “artist in residence” at deSingel in Antwerp. With the Beethoven Academy, Jan Caeyers toured major European concert halls including Musikverein Vienna, Salzburg Mozarteum, Concertgebouw Amsterdam, Cité de la Musique in Paris, and Auditorio Nazional in Madrid. As guest conductor, Jan Caeyers has led Antwerp Symphony, Staatsoper Stuttgart and orchestras in Berlin, Paris, Madrid, Barcelona and Prague. He has also conducted leading European choirs like the Arnold Schoenberg Chor in Vienna or the Nederlands Kamerkoor. 
In 2009, as a result of many years of research, his biography of Ludwig van Beethoven was published in Dutch by De Bezige Bij in Amsterdam. Meanwhile in its seventh edition, the superbly documented and elegantly written book has met with an enthusiastic reception. In 2012, the German translation was published by C. H. Beck in Munich under the title “Beethoven: Der einsame Revolutionär” (The lonely revolutionary). Since becoming a bestseller in Germany, it has been considered a reference work on Beethoven worldwide. Other translations have followed or are in preparation, including editions in Hungarian, Chinese and Arabic. In the Beethoven year 2020, a revised German edition and an English translation will be published.  In 2010, Jan Caeyers founded his own Beethoven orchestra, Le Concert Olympique, with which he gave two sensational debut concerts in the same year at deSingel. In February 2018, Jan Caeyers was named Artistic Director of the newly founded Internationale Beethoven Akademie e.V. in Berlin. 

Le Concert Olympique

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Le Concert Olympique was founded in 2010 as the brainchild of Beethoven expert and conductor Jan Caeyers. He gathered 50 of the finest musicians from all over Europe to provide a contemporary experience of a timeless tradition with relevant and authentic performances of masterpieces by Beethoven and his contemporaries. All members of the orchestra share the love of music and the ambition to perform the works of the Viennese classical era in a fresh way andat the same time, conscious of tradition, while developing a unique style that is both modern and historically motivated.  The orchestra has two residencies in Belgium: one at the Flagey in Brussels, and one at deSingel in Antwerp, where it started off with two sensational debut concerts in 2010. Since then, Le Concert Olympique has been invited to many other prestigious concert halls such as the Vienna Musikverein and De Doelen in Rotterdam. In the fall of 2017, the orchestra made its debut at the Beethovenfest Bonn and the Berlin Philharmonie. With its sophisticated programs, it also thrilled audiences at the Vienna Konzerthaus and the Amsterdam Concertgebouw. In December 2018, the orchestra debuted at the Festspielhaus Baden-Baden with Beethoven’s Missa Solemnis . 
The musicians of Le Concert Olympique only come together several times per year to work intensively on their ambitious projects. The festive character of their concerts is emphasized by the fact that the musicians are dressed in concert attire designed by the Antwerp fashion house Maison Anna Heylen. This collaboration illustrates their shared goal of combining classical tradition with a modern experience.  The name Le Concert Olympique refers to "Le Concert de la Société Olympique", the best-known concert series in Paris between 1782 and 1789. "Le Concert de la Société Olympique" commissioned six symphonies - his “Paris Symphonies” - from Joseph Haydn in 1785, which caused a stir and are generally considered the birth of the modern classical symphony. 

Event Details

Date: April 27 @ 8:00 pm
Time: 8:00 pm - 8:00 pm
Venue: Berlin Philharmonie, Chamber Music Hall