Die Krise, die Ludwig van Beethoven zwischen 1800 und 1802 erlebte, war sehr tiefgreifend infolge einer fatalen Hörkrankheit. Diese Krise sollte sein Leben und seine Karriere grundlegend umwälzen und führte schließlich zu seinem sogenannten Heiligenstädter Testament. Ein entscheidender Wendepunkt in Beethovens Leben: von großer Verzweiflung zu neuer kreativer Kraft.
Die beschleunigte Entwicklung von Beethovens Musik als Folge dieser Krise wird in dieser Produktion durch den Sprung vom Ersten Klavierkonzert zur Zweiten Symphonie veranschaulicht, in der Beethoven erstmals seinen typischen Orchesterstil zeigt. Noch deutlicher wird sie aber in der Klaviersonate Nr. 17 (»Der Sturm«), die Beethoven zeitgleich mit der Zweiten Sinfonie komponierte und in der er eine noch größere Radikalität entwickeln konnte, weil er nicht an den – für ein größeres Publikum bestimmten – sinfonischen Stil gebunden war.
Le Concert Olympique
Le Concert Olympique is a forty-five-piece European orchestra under the direction of conductor Jan Caeyers. The cornerstones of the repertoire are the well-known and lesser-known works of Beethoven and his contemporaries, such as Haydn, Mozart, Schubert and Mendelssohn. The musicians come from and are active throughout Europe and share the ambition to perform at the highest level.
The fact that the orchestra performs within the framework of clearly defined projects ensures the necessary focus on stage, behind the scenes and in the concert hall.
Beethoven's work is at the heart of the Le Concert Olympique program. In his groundbreaking book "Beethoven, a life", Beethoven expert and conductor Jan Caeyers portrays Beethoven as a recognized genius who was able to strike a perfect balance between reason and emotion, power and
control. For the musicians of Le Concert Olympique, Beethoven is an example of always giving their best and striving for excellence.
Beethoven is not only interesting because of his music. He symbolizes the importance of crossing borders and transforming crises into a positive motivator. Le Concert Olympique consciously invests in research, innovation, education and an intercultural vision of "classical music". To create contemporary music inspired by Beethoven's legacy, Le Concert Olymp ique collaborates with modern composers such as Jeroen D'hoe and Jens Joneleit.
The theme of the Ninth Symphony is "All men become brothers". Beethoven unites people through the universal language of music and invites them to work for a better world. Le Concert Olympique shares this message with the general public. Beethoven connoisseurs will recognize a profound and refreshing interpretation of the masterpieces in these concerts. Listeners with less affinity for classical music will discover the unique orchestral sound and feel the enormous energy on stage.
The name of the orchestra refers to "Le Concert de la Société Olympique", the most important concert organization in Paris between 1782 and 1789. This organization caused a sensation in 1785 when it commissioned six symphonies from Joseph Haydn. These Parisian sym phonies marked the birth of the modern classical symphony.
Le Concert de la Société Olympique was founded in the Palais-Royal - the birthplace of the progressive, pre-revolutionary and social movement in France. The organization wanted to secure a place for itself vis-à-vis the past and the establishment. This spirit of innovation and room for modernity form the basic philosophy of the orchestra: "the old" does not exclude "the new".
